I’m on the wrong career track. I want to write for a living but I want to write stories that last.
What I learned at the Banff School of Fine Arts:
I’m much funnier than they gave me credit for in university. Maybe that was because I wasn’t so angry all the time as soon as I got out of journalism school.
What I learned in my 20s:
I used to believe a bad thing: Pay your dues. Be patient. Wait your turn.
(What was implied: “This has nothing to do with keeping us up by keeping you down.”)
What I learned in my 30s:
I wanted to be a spiritual person for the comfort. It didn’t stick because I looked honestly at all the suffering.Also, I unlearned the lesson from my 20s. Underestimating me and keeping me a second-class citizenwas always about fulfilling other people’s dreams.
What I learned in my 40s:
My kids redefined love for me. They expanded my capacity.
What I’ve learned in my 50s:
Not everyone who acts like a friend really is. Unfortunately, learned that lesson before but I think this time I really get it. Betrayal sucks and sticks.Not everyone you meet along the way will stay by your side. For those who do, we cherish and support each other. We stick together.
What I know now:
Dream bigger. Ask for help. Work like hell to make it happen.
I have yet to learn:
Forgiveness. Yes, I hold grudges. In AFTER Life, the flawed hero admits that he supposes he must have forgiven somebody once but he can’t think of a single example of having done so.That’s me. I’m not sure that forgiveness is something I want to learn, either. If someone treats me badly, shouldn’t heightened vigilance and isolation simply be called learning? People can make mistakes and I’ll let that go, of course. (I’m Canadian.) But when malice is involved? Hell, no.
Physically, 2019 has been hard on me. I’ve spent most of this year sick with one thing or another. I usually devote March Break to taking care of taxes. This year I spent it on my back with a terrible sinus infection. I’m still recovering and can’t do everything I need to do yet. However, I’m finally a bit more mobile. It’s been awful but also an opportunity to reevaluate where I’m steering my writing career and my meat wagon.
The first time I went into writing full-time was in 2011. I took a couple of years off from my day job to devote myself to writing and publishing. That was a productive time but my life was out of balance. I spent far too much time sitting. That’s an occupational hazard, of course. However, I took it beyond reason, often working on books 15 or even 18 hours a day. Crazy times. Also, my time management was so skewed that my family made a lot of sacrifices for Ex Parte Press. And by that, I mean they made financial sacrifices for me. I also didn’t spend as much time with them as I should have.
I wasn’t making any money then. I lived off an allowance from my sainted wife. $60 a week. I felt pressure to get on track financially, of course, so I became a workaholic. Money pressure doesn’t go away. I still feel it though it’s not the panic it once was (just constant, low-grade anxiety that makes me feel I have to prove myself and catch up for the lost years!) The dream is to get comfortable enough that I can take the family on a tropical vacation. I’m Canadian. I spend a lot of the year yearning for sugar sand beaches and palm trees.
I’ve been writing again full-time since July 1, 2018. I have rules about when I stop working each day now. I try to move more. Late last year I went through a boot camp in which I lost a lot of weight, ate healthily and got on track. It felt great. Then a few health issues hit and the stress eating began and I got off track. Well, okay, I flew off the track and killed all the spectators in the stands.
A while back, I finally got through all my medical tests. I tested negative for the health issues I thought I had. It was quite a relief but then I got hit with more illnesses and generally felt like crap all the time. I also fell back into some bad habits of overwork. I am currently working on a Lovecraftian novel called Amid Mortal Words. This one will be a stand-alone novel. I’m very happy with it but in my current condition I can’t pump it out to market as fast as I’d like. I’m working on the manuscript steadily again but now I expect it will be released sometime in April. Apologies to my wonderful editor for the delay in the publication schedule. I’m a bit furious about it but I’ll come to accept reality any second now. Yeah…any second…suuure.
Health and the habits that promote it have to come first. I learned that lesson before and let it go so I have to repeat the lesson again. I just got back from the grocery store, loaded up with healthy choices. No bad carbs, lots of vegetables, bone broth and hope that 2019 will ease its grip on me. I’ve had quite enough of feeling like shit all the time, thank you very much.
I write full-time and control my schedule. It’s still cold but no longer terrifying to go outside. Therefore, I have no excuses not to visit the gym daily. Diet and exercise will allow me to live longer and write longer. That’s how I’ll catch up: steady work and playing the long game.
When tragedy strikes someone, I send my condolences but I usually add, “And please take care of yourself.” In times of trouble or even just dealing with the daily grind, we often make ourselves a low priority. To take care of others, we have to take care of ourselves first. It’s not selfish. It’s smart. It should even be obvious but in the drive to succeed, we often sacrifice the wrong things or abandon long-term priorities for the urgent moment.
Lying on my back and being miserable for a week has reminded me about the order of my priorities. I’m back to playing the long game again because this is it. I write full-time for a living now. There is no going back to the day job. I love writing for a living. To live to write, a good diet and a healthy dose of exercise must be part of my writing regimen.
~ Hey! I’m Robert Chazz Chute. Sign up for my newsletter to get updates and deals on new books, buy my tomes of epic delight and twisty suspense (pretty please with a thunderous thank you) and happy reading!
What if mere words could erase all the bad people in the world? What if billions of innocents would also die in the cull? On a night train bound for Chicago, Lt. Col. Zane Salvador meets an odd stranger who leaves behind a dangerous book. Now the future of the human race is in Zane’s hands. You’re in danger, too, Dear Reader.
Quick update:
Fighting a cold, I’m busy writing and revising my next apocalyptic thriller, Amid Mortal Words. Unlike the others, this one is a stand alone. It should be out next month. This is really fun and as the plot unfurled I figured out, hey, this falls under the categories of Lovecraftian/cosmic horror. I’m putting up excerpts in the private Facebook group, Fans of Robert Chazz Chute if you’re a reader who enjoys sneak peeks.
Does anyone remember John Carpenter’s In the Mouth of Madness? My story is very different but at its heart is a book that drives people mad. There lies the connective tissue.
I’m off to dive back into more revisions. I love this story. I think you will, too. In the meantime, enjoy this look back at a sorely underrated Carpenter movie:
Here’s the promise: You’re going to love the escape you feel when you read The Night Man.
Earnest “Easy” Jack Jr. is a wounded warrior with harsh history and a very uncertain future. He returns home from war to his father’s house on the edge of Lake Orion, Michigan. His father raises guard dogs and works as a long haul trucker. When Easy’s mother got sick, Easy Sr. began smuggling to make ends meet. That’s how the trouble really started.
This novel is packed with witty dialogue and plenty of action and plot twists. However, the narrative has some things to say about the decay in Middle America, too. The root of Easy’s problems rest in fertile soil: the failures of late-stage capitalism, the gig economy and the trap we’re all in. Just about every character in The Night Man feels trapped. The only one who doesn’t feel trapped is a monster.
Don’t get me wrong: This crime thriller is fueled by tons of surprises, fascinating characters and fun dialogue. But I feel trapped sometimes. A lot of us do. Even fun escapist fiction can have a subtext that addresses what’s real. That’s important in fiction. A real context helps readers suspend disbelief.
As I write this, it’s Saturday, January 12, 2019, and The Night Man ebook is available to download for free. If you’re reading this too late, it’s still a very inexpensive and compelling read that will keep you entertained and smiling for hours. Enjoying a good book is one of the few ways we have to escape the trap.
Enjoy The Night Man and all my books by clicking the links to your right. Thank you for being a reader.
Last night I was writing late. It was New Year’s Eve. At midnight, I got up from the keyboard very briefly to hug my wife. Then back at it. It is tempting to make resolutions but habits are better. Mornings are for coffee and writing. Afternoons are for revisions and marketing. I try to eat clean, cut back on the carbs and get to the gym.
Those are the basics and they don’t vary for holidays. Rain or shine, I’m at bat, swinging for the fences. I love to read fiction and write fiction. This is my happy heaven. I have several manuscripts to revise and new thrillers to publish so 2019 will be a very busy year.
I hope you have a heaven on Earth, too. It’s a tenuous state. Going through some scary medical tests, I ate my feelings and soothed myself with too many carbs. That didn’t help, of course. (Actually, it did help but the soothing endorphin effect was temporary.)
I’m back to the routine. “Routine” sounds boring, but the writing life is never boring. I’m creating worlds, reflecting this world and listening to the many voices in my head have fascinating and funny conversations.
Wherever you are, I hope you have a reading life and I wish you a fantastic 2019. There’s much work to do, but it’s not all grim grind. We can work toward saving the planet and escape into books when we need a break from being superheroes.
Cheers!
Chazz
PS Speaking of heroes, my new crime thriller, The Night Man, launches later this week. This roller coaster is packed with action and jokes as we delve into intrigue and betrayal is rural Michigan. Watch this space (and subscribe!) Thanks.
Since Dec. 21, Bird Box has been viewed by over 45 million Netflix accounts (as I write this). Judging by some of the reviews I expected a movie with more gore. Perhaps because of that expectation, I was pleasantly surprised by how suspenseful it was. I also don’t expect to see a lot more properties like it anytime soon.
They did several things right with Bird Box. The key to a great monster movie is not to show the monster until you absolutely have to. They hit that target better than any horror movie I can recall. Also, the acting is great. John Malkovich and Sandra Bullock are only two actors but they make up a dozen reasons the movie did well. Though I predicted how the story would end, I thought it ended well enough.
The movie had some of the creepiness and imagination I enjoyed in last year’s Annihilation. However, don’t expect Bird Box to kick off a powerful uptick in apocalyptic movies. Unforgiven is a great movie, too, but it did not herald the return of a bunch of Westerns.
Bird Box was fun and profitable, but it’s a blip. Don’t expect another huge franchise to emerge from it. Here’s why:
The apocalyptic genre is in trouble
Bird Box is a successful movie, certainly. (Good on you, Netflix!) I could easily see this being made into an ongoing series like The Walking Dead. Unfortunately, that would probably beat the idea to death. There’s a trend afoot: people might enjoy a taste of horror like Bird Box or The Haunting of Hill House or Stranger Things. However, they don’t want too much of it.
In recent months I’ve been made aware that the appetite for apocalyptic stories is dwindling. A fellow author who has been very successful in this genre is going back to the day job. I have several apocalyptic/dystopian epics* and I’ve seen sales decay over the past year. This Plague of Days is my most successful series but most of my IPs are taking me on a wander outside the apocalyptic genre as I hunt for my next hit.
Why is this happening?
The wax and wane of trends in consumer tastes has always been opaque to me but I think I’m beginning to get it. There are several possibilities why this is happening to apocalyptic narratives now. Here are a few:
Most books in the genre are too repetitive. I’ve noticed that even among the positive reviews of This Plague of Days, some reviewers mention that they love it because it defies expectations of the genre. The tropes are there but it’s not the same story over and over (I’m looking at you, Walking Dead.) Readers get tired of a steady diet of the same thing, even if they liked the taste in the beginning.
Speaking of The Walking Dead, times are tough and, until recently, TWD didn’t offer much hope. The relentlessly grim and humorless tone is probably why viewership of the series has lessened. Times are tough right now and a real climate change apocalypse is here and/or coming (depending on where you live). With all the bad news, people want something to cheer them up or allow them to forget real-world dangers. Instead of confirming their suspicions that most of humanity sucks and deserves a grisly fate, readers want a different kind of escapism.
Zombie and apocalyptic horror don’t necessarily have a huge fan base. It’s historically a vocal and devoted following but it’s not as big as we might hope. If it were as big as I’d like, there’d be as many zompoc movies as there are mystery/suspense movies with titles with “Girl” in the title. (Note: Those aren’t girls. They’re women. Catch up!)
The popularity of genres has always waxed and waned naturally and it goes in cycles. Some of those cycles are long and others are short. There’s even a strange hypothesis out there that zombie and vampire stories are more or less popular depending on whether the Republicans or the Democrats control the US government. Hardboiled, as a genre, hit its peak with Mickey Spillane. Elmore Leonard kept the coma patient on life support with Chili Palmer. Westerns used to be huge but they really haven’t recovered from John Wayne’s death. In my lifetime, the vampire genre has been declared dead repeatedly. That alarm is always false. Vampires always come back. That might be the next trend. I’m counting on it, actually. I have a big vampire book in the works.
If you’re a zombie fan, what can you do?
Give fuel to what you love. If you dig apocalyptic fiction, keep on buying it, reviewing it and tell your friends. The fanbase for any genre never completely goes away but if you want more of what you love, you have to double down and support your love.
Give new writers a chance and if they delight you, please do spread the word.
If you’re a creator, be excellent and also dare to be a little different. The joke in the horror writing community is that there are no horror writers anymore. They’re all called science fiction writers now. Consider crossing and mixing genres to find new readers. (For instance, the engine that fuels my latest zombie apocalypse (AFTER Life) is nanotechnology. So yes, it’s a sci-fi zombie trilogy.
What’s next?
That’s kind of the point: No one really knows. As my writing idol, William Goldman famously said, “Nobody knows anything…… Not one person in the entire motion picture field knows for a certainty what’s going to work. Every time out it’s a guess and, if you’re lucky, an educated one.”
But what’s my educated guess?
My next book that is apocalypse-adjacent will be a big stand-alone book about a vampire cult. Meanwhile, I have two crime thrillers coming out in the next month. (Watch for The Night Man, releasing next week!)
I know there are writers trying to find underserved markets in which they enjoy writing. When writer Chris Fox wrote Writing to Market, he enthused about the need for more stories that take place in space. He is successful writing his own books that way. Using his research methods, he determined a niche where readers had a big appetite but not enough books.
Rather than follow his advice and do research to find their own unique niche, a lot of writers only sort of followed Chris’s advice. They wrote a ton of books in the genre that was his example. Boom! Space marines and covers featuring spaceship ass everywhere!
Some writers dream of making a big play and doing something new, forging ahead and breaking trail. They point to JK Rowling’s astonishing success with the Harry Potter books. It is indeed an amazing series. The next few years after Rowling hit it big, tons of knock-offs appeared that tried to follow the magic kid trend. Many mimics, but no duplicates. I actually have no objection to that. All those hungry Harry Potter fans naturally found something more to feed their new addiction to apprentice sorcerers. Nothing wrong with that as long as the attempt is not cynical. There is still joy and profit in smaller niches if those readers can be reached, their brains tickled and their hearts touched.
As for me, I have a lot of books in my editorial pipeline at Ex Parte Press. Are they written to market? I can only say that they are what I want to write. Will any of them hit big? No one knows and the market will decide. Hitting singles is much more common than hitting home runs, but I’m at bat and I take a lot of swings. This is not a three-strikes-and-you’re-out situation. This is a keep-swinging-for-the-fences situation.
Is this the end of the Apocalypse? I don’t think so but I’m not betting as big on it as I did in 2012. I don’t know where all the zombie readers went and what they’re enjoying as I write this. However, books are forever. Genres do come and go but they never fade away entirely. These are lean times for the genre but we’ll still be here when a wider readership decides their new tastes have become old and stale. We’ll be here when they’re ready to come back. In the meantime, we write and write and write.
*I’m Robert Chazz Chute, suspense writer and maker of fine salmon sandwiches. My apocalyptic epics are This Plague of Days, Robot Planet, The Dimension War Series and AFTER Life. You can find all my books through the affiliate links to the right or click here for the universal book link. Thanks for reading and please do subscribe to my newsletter for more.
There’s more to the writing and publishing process than swilling coffee and banging your head against a keyboard. Those caffeine injections behind the eyeball do help immensely, though. (Ask your doctor.)
Here’s how I do the deed, from words to action.
My Flowchart of Tears and Triumph is as follows:
Compose in Scrivener > revisions > Grammarly > Scrivener > Google Docs for Editor & Betas > Word Doc > Vellum > publish > exalt briefly > repeat until they nail they casket shut, squelching my screams of protest that I am immortal.
The Ex Parte Press breakdown :
Scrivener is a writing program I’ve used for years. The writing interface is easy and intuitive. I love how I can jump around in a document so I can find what I need quickly. I can’t make such easy changes in a Word document. Microsoft Word was designed for business writing, not quickly finding details in full-length novels. Moving chapters around is also easy, should you feel the need. As easy as writing in Scrivener is, publishing with this program takes patience as you climb the learning curve. Since it can publish anything from manuscripts to movie scripts, the details are more complicated than the software I now use to format and publish. (See Vellum, Step 7.)
How many times do I revise a manuscript? That depends on the project. My first draft is about getting the story out of my head and on the page. Character work and action comes pretty easily to me on the first go. Tweaking the plot details and finding more jokes tends to come with the second draft. I want the dialogue to sparkle so I tinker with that quite a bit. When revising feels like an exercise in procrastination, it’s time to move on to the next stage.
Grammarly is an online spellchecker. I’ve tried ProWritingAid and found that it gave me too many false positives. Grammarly doesn’t give me too much or too little to consider. No matter how many revisions I’ve done, I read the book again in Grammarly. No online spellcheck is perfect. If my typo is “he packed it” instead of “he picked it,” Grammarly won’t catch that mistake. (I also have Autocrit but that’s not part of my regular publishing process yet. I’m still evaluating it so that’s a post for another day.)
Once a draft is corrected in Grammarly, I paste it back to Scrivener a chapter at a time. That’s one way of getting a sense of my progress so I can try to warn my editor how late I’m going to be with the manuscript. I write every day and it’s serious business. However, my editor understands that I need to have the book well developed before I show it to anyone. I’m self-conscious enough as it is and, as she says, “Some books need to simmer.”
I post the whole thing to Google Docs for my editor (Gari at strawnediting.com) and my beta reader. Sometimes I have more than one beta reader, sometimes not. I’ve been very lucky to find editorial support from sharp people who dig what I do. Editorial support from people who understand your genre and were fans first are aces.
Once the editorial suggestions and corrections are made, I weep profoundly at all that I missed. Then I download the novel as a Word doc and take a look at it one more time, basically scanning for red squiggles and spot checking. Something will be missed. My first job in Toronto was in production at Harlequin in the ’80s. There were eight levels of editorial staff then. Very few publishing houses can afford that now and fewer still pay for that much input anymore. Even with eight editorial monkeys massaging the manuscript, there could be as many as six to eight little corrections to be made. In the end, I want as clean a presentation as can be. My people do not disappoint.
Uploading to Vellum is quick and easy and some of the interface is similar to Scrivener. Formatting and book design with Vellum is a joy. I’m fussy and I’ve done some pretty tricky things with certain design elements that would be very challenging without this software. When I’m done constructing the formatting for the book I have files ready to upload to sales platforms.
I publish exclusively to Amazon at the moment but that will change in 2019 as I expand my options. (The why of all that is a ranty blog post for another time.)
When I hit publish on my first book in 2010, I took two weeks off to recover. I poured libations to the publishing gods and rested on my laurels. As I’ve progressed with publishing plots, plans, policies and practices I take less time to rest after all those p-words. There’s too much to do to enjoy the feeling of having published more than an hour or two. Sometimes it’s just a few minutes of elation. That would sound sad, pathetic and Sisyphean except I’m always excited about writing the next book. I jump on the next project until the tale is polished to excellence and I’m sick of it. As long as I’m satisfied readers will love the book, live in the world I create for them and laugh in the right spots, I’m happy.
Being a novelist now is lot like being a pulp writer in the ’40s and ’50s. I have to write the next book so maybe someone will pay attention to this one, that last one or, preferably, all my work. When people ask me how it’s going I say, “It’s like always having homework, but I love it and I get to work in a coffee shop without wearing an apron. This is the writing life.”
Hot Extras:
Writing and publishing is not a race but it is a marathon. When searching for editorial support, find people who notice your clever turns of phrase and aching awesomeness. Editing is more than scolding what you did wrong. When you see what your audience likes, you get clues on how to repeat those awesome feats of prose in the future.
By the time I’m deep into making editorial decisions with other people, I’m becoming sick of the book. A cheery LOL in the margin is energizing and the odd “Attaboy!” gives me the strength to persevere and run to the finish line.
Some authors claim they want their manuscript torn apart savagely. I suspect those folks are either lying, posing, preaching, masochistic or maybe they’re just really bad writers who need a spanking. It’s true that you could learn a lot from a thoughtful savaging from a good editor but eventually, you’ll tire and find an editor who treats you like a human being with feelings. The editorial process is best when it’s a collaborative effort of the likeminded. I do learn from my editor and I know she’s trying to make my books (even!) better. She never makes me feel worse about the process than I do already.
I mention this because I have met editors who think they’re in the mock and scold business. And yes, too many of them worked for traditional publishing houses and held the authors in their stable in contempt.
Expectations:
Gari keeps a style guide written just for me. My idiosyncrasies include:
No Oxford commas unless required for clarity. (Yes, I’m one of those monsters who fails to worship your blessed Oxford comma. Gather your torches and pitchforks and chase me around the village.)
I’m not a fan of commas before but. Commas are speed bumps. As long as it’s consistent and clear, cool. I do not want to slow the reader down too much on their merry way to turning the page toward another visceral word punch.
One editor (not Gari) once insisted that I describe my characters in exhaustive detail. I refuse. Readers will meet us at least halfway on this. I once taught a writing class in which I read one of my short stories. That done, I polled the class as to what the main character looked like. Beyond being male and almost thirty, there was no description in the text. Despite this, everyone had a clear picture in mind as to what the character looked like. The pictures in their minds varied immensely but that did not matter to them. The guy had a live skunk in the back seat of his car and a dead ex-friend in the trunk! No one was shortchanged.
I’m Canadian. I use American spelling conventions because most of my readers live in the United States. UK readers don’t seem to mind but some American readers take offense if the word color has a u in it. (Probably a patriotism thing?)
Our style guide is generally The Chicago Manual of Style until I come across something that feels like it should be an exception to a rule. Things change. Internet used to be capitalized and I thought that was stupid. The CMoS now accepts internet. I assume they noted my objections. You’re welcome.
~ Hi! I’m Robert Chazz Chute. Thanks for reading this far down! You’re a keener, aren’t you? I like that! Maybe you’re willing to go a little farther and meet me in Zihuatanejo, Red?
About me: I escaped the 9 – 5 for the 24/7/365. I construct apocalyptic epics and suspenseful crime fiction. My next killer thriller, The Night Man, will be released soon. Please subscribe to be alerted when Easy’s adventure in darkness is available. Thanks!
More about The Night Man: Wounded in Afghanistan, Earnest “Easy” Jack returns home to rural Michigan to train guard dogs in the family business. His high school sweetheart is on the run from a very bad husband. His father is kidnapped by a dirty cop. Easy thought his war was over. Trapped in the middle of America, the Night Man is still in a war zone.
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