
Where the Night Takes Us is the first book in the Fear-Death Experiences series. It’s a thriller about Dr. Simon Fethullah, a retired FBI profiler stalked by the Rainy Day Cannibal. Rainy Day is in prison, but his reach goes far beyond the bars of his cell.

Early feedback has been great! The beta readers love it!
Note: Where the Night Takes Us is available for pre-order now at this link. The novel launches September 14th! The pre-order price is heavily discounted. And thanks! With a couple of clicks, you help me immensely.
Yesterday, I passed a big milestone on the path to publication.
I completed the manuscript for the sequel: When the Night Finds Us. This mystery/thriller begins with Simon, suffering fallout from the events in Where the Night Takes Us. When a villain runs him off the road, the good doctor is injured but intent on finding new purpose. He buys a big RV, hires a driver, and heads off to Texas with his faithful dog Stefano.
His mission: A girl has gone missing from Defiant, Texas. Find Willy Dupree, dead or alive. As his perception of reality blurs, Simon will have to find his way through the darkness and, maybe, back to the light.
I’m so happy with the story. It has heart and thought, twists and turns. I love all the sassy banter with Simon’s driver, Paloma Garrido, too. There’s action and mystery, but room for plenty of jokes, too. My final draft is off to my editor, the great Gari Strawn. I’m aiming to release this sequel by the end of October.

Lessons learned
- The previous two novels I’ve published, Vengeance Is Hers and Endemic, are big books. I wrote them that way because the stories I wanted to tell demanded room to move. Vengeance Is Hers, in particular, needed length because the instigating incident occurs when the heroine, Molly, is in high school. After a tragedy, she leaves the only home she’s ever known to try to leave her penchant for vengeance behind her. She grows up a little and tries to make a peaceful life. Her instinct to seek justice in her inimitable way leads her to lose her job in academia. With nowhere else to go, she returns to Poeticule Bay, Maine, after twelve years. When she discovers that the town has changed, but the villains haven’t, she slips back into revenge mode.
When I discussed the book with literary agents, they had two concerns:
(A) The age of the protagonist. Is this a young adult story? Is it contemporary women’s fiction? New adult? Molly goes from a teenager to twenty-nine, so what shelf in the bookstore is appropriate?
(B) The length. At 114,000 words. Was it too long for the usual genre expectations?
My answers: To point A, Vengeance Is Hers crosses genres. Point B, yeah, maybe so (but so what?)
If I had to pick one category for VIH, I’d say New Adult, but my primary market is not bookstores. My sales platforms are mostly digital. By not heeding the agents’ cautions, did I hurt my book sales? No. Online sales platforms are search engines. There is no shelf. There is metadata, keywords, descriptions, and the cover. That’s what sells it.
Besides, the VIH story I wanted to tell required that length. To serve readers best, a better story demanded I write against industry expectations.
Lessons learned: Not all advice is for everyone all the time. Consider good advice from well-meaning experts. Reject advice when it feels constrictive, dated, or simply not for you. Follow your heart. No regrets.
BONUS: And take heart! The publishing industry is, in many ways, a complete mess right now. If you’re forging your own path, you’re in great company.
2. Not fitting into a box is not what hurt the sales of Vengeance Is Hers. I did.
I focused on the writing, not the marketing. VIH is considered excellent by those few who have read it. However, I was impatient. It had been a long time since I’d published Endemic, and I was concerned I’d been forgotten by my readership. Too eager to hit the button, I basically tossed VIH out there without priming the pump by letting more people know it exists. There are so many books published each day that it’s very easy to disappear in the book marketplace. That’s more and more true each day with the flood of AI slop books.
Lesson learned: Hope, history, laurels, a few ads, social media posts, and newsletters are insufficient. We must advertise and nurture sales as if the book’s a flightless baby bird in the nest. I write great novels. (Hey, false modesty is false!) But anemic marketing is the equivalent of an opera singer belting out beautiful arias in a soundproof room.
So what’s next, Rob?
For Where the Night Takes Us, I’ve engaged BookSirens, Booksprout, and Itsy Bitsy Book Bits to find reviewers. I’ve sent out advance reader copies. I’ve completed fresh research, and there’s yet more to do. I’ve experimented with ads and taken more book marketing seminars. I have someone lined up to help me promote When the Night Finds Us.
I’ve proven myself great at plotting. Now I have to engage in more planning. Do I enjoy the marketing end of the publishing business? Not really. I didn’t always enjoy selling other people’s books when I was a rep for several publishers. However, I sold millions of dollars’ worth of books to stock bookstores across Toronto and Cottage Country.
I love writing. I love entertaining readers. It’s unreasonable to expect to enjoy every aspect of your work. To find readers, I have to promote. I can’t hide in the blanket fort forever with only my keyboard to keep me warm. And so, to market, to market.
(Hint: If you do enjoy every aspect of your work, keep it to your own damn self, weirdo!)
3. About Shiny Keys Syndrome
Working on the Fear-Death Experiences Series, I got back in touch with an edict I’d almost forgotten: Commit to one path and don’t be too precious about getting the words down.
It is so easy to suffer Shiny Keys Syndrome. Ideas are cheap, but it’s the execution that takes so much time. I do not use generative AI, and I’m not a great typist, so I go slow.
Along that long road, it’s easy to get distracted by the latest brilliant epiphany for a different book. I often wake up with inspiration in the morning or the middle of the night. Instead of looking away from my work in progress and listening to the siren song of those jangly keys, I stay the path, hold the line, and keep working on the book I’m already writing. So many ideas, so little time! If only I were immortal, or at least nigh-immortal.
To ensure that I don’t wander off like a toddler at the fair, I’m keeping better track now. Each day I record what I accomplished and what I plan to do tomorrow. All in shorthand, my notebook is part diary, part tracker, and all encouragement to keep my energy up and the momentum moving forward. Being a novelist is fun, but at its core this is still work. It’s a job, and jobs require attention, purpose, focus, and showing up consistently.
Final thoughts
Track your progress, because that which is not measured is not improved.
Show up.
Keep going. Maintain momentum.
Do what you have to do, even the stuff that’s not comfortable.
Peace and prosperity may be your aim, but getting there won’t be without speed bumps.
Too much comfort is a trap.
Explore options and don’t be intimidated by what you are comfortable with. For instance, running ads can be confounding, but confidence doesn’t come before the task. Confidence follows the work.
Vengeance Is Hers and Endemic are available on Amazon and these fine stores:

~ Have we met? I’m Robert Chazz Chute, blanket fort dweller, achy-ass cyclist, erstwhile Nova Scotian, graduate of journalism school and the Banff Publishing Workshop. Fifteen-time writing award winner, I’m also a raging hypochondriac who rages against the night. I pen apocalyptic epics with heart and suspenseful thrillers with brains and muscle. Since writing the Fear-Death Experiences series, I’ve become a huge fan of Cane Corsos like this guy:


















