Author Interview: Chazz visits The Writing World

Here's an idea. Click the pic to buy more fun! Radical.

I had a really fun interview experience answering questions about my books over at The Writing World, RaeBeth McGee’s awesome (and pretty!) blog. I make it my first priority to come up with fun answers and the serious honesty is secondary. Check out the interview here: The Writing World. Have a laugh.

Kevin Smith & Jason Mewes now have autographed copies of Self-help for Stoners! YAY!

Kevin Smith
Image via Wikipedia

Last night I shook hands and had a chat with Jason Mewes and Kevin Smith (Jay and Silent Bob for those not in the cult). Each now have a signed copy of my book, Self-help for Stoners. They couldn’t have been more gracious, interested, warm or friendly. It was a big moment for me, especially when Kevin recognized the book and said, “Hey! I know you!”

Each got a personalized recommendation for stories they might particularly like from Self-help and it was a genuine pleasure all around. We laughed a lot. As always, of course, Kevin spoke inspired and inspiring words about writing and the creative process.

I’m a bit emotional today. (Scratch that. I’m very emotional today.) It was a milestone in the evolution, not just of the book, but for me taking the leap to writing full-time. It was just over a year ago that I decided I needed to “stop chasing the puck” and quit my job of twenty years. (I won’t rehash that story here, but you can always watch the video on the Inspiration page.) Things went full circle last night. And now? Onward. Three novels are coming out this year with my name on them. Hoo-ha!

I must make this writing thing work.

Bonus? As I walked up onstage, Jay sang Paperback Writer. Yes!

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The 99 cent ebook sale

Surprise! All my shorter works of fiction are now available at Smashwords.com for only 99 cents each (plus Corrective Measures is free until Jan. 31)!

Grab them all and curl up by the fire with solid short stories and The Dangerous Kind, a novella.

Three: The Dangerous Kind, Asia Unbound and  are the Poeticule Bay stories. Corrective Measures and Vengeance is #1 feature Dr. Circe Papua.

Free until Jan. 31, 2012

 

If you love them, please do review them!

Grab them all by clicking here.

Georgie is a Mean, Fat Girl! Vengeance is released!

Today I published another ebook: a short story called Vengeance is #1. 

In this story, we meet Georgie, an angry girl with a funny, mean streak. This seventeen-year-old wants to be normal, if only she could figure out what Normal is and how to get there. After enduring a string of therapists, she encounters Dr. Circe Papua. Things are looking up for Georgie until Dr. Papua fires her as a patient. Now Georgie is looking for redemption and an apology. Failing that, she’ll settle for vengeance.

Click now to get it from Smashwords.com

Free ebook on Goodreads blog

Have you taken advantage of the COUPON CODE to get Asia Unbound for free? Please do! The coupon expires Jan 1.

At the risk of sounding like an infomercial, but wait there’s more! The new short story, Parting Shots is what happens the morning after the events that occurred in Asia Unbound. The stories are complete and can stand alone, or read both to discover the weave. Parting Shots is available at my Smashwords page.

In Parting Shots, Marcus in the Morning gets into an argument about God and the nature of the universe, proving that sometimes when you win, you lose.

Poeticule Bay, Maine is a mix of towns I grew up in on the east coast. Think Stephen King minus the fun clown in It and you have the flavor of my childhood. The small-town claustrophobia and dark family dynamics showed up in my fiction so much, I had to succumb to the call and admit escape, redemption, sacrifice and the twisted and twisty were recurring themes. There’s no sense fighting the muse. I look forward to writing many books that will take place in my favorite foggy inlet tucked away from the world. Check out the books now and you’ll see the evolution behind the suspense series.

The Poeticule Bay stories evolved organically, so some characters recur across the Fictionscape. The novelette, The Dangerous Kind, takes place in Poeticule Bay. Asia in Asia Unbound was born years ago in my imagination. However, an incarnation of that character, Legs Gabrielle, returns to Poeticule Bay to confront her past in Self-help for Stoners.

Meanwhile, I’m working on a Poeticule Bay novel that brings back characters from these stories: Sheriff Rose, Joey and Jason (from The Dangerous Kind). Legs Gabrielle from Self-help for Stoners is the main character in the novel. (More on that later.)

Please check out all the books through the Smashwords link above.

But wait, Chazz! I prefer to read a book made of paper! 

Sure! Click here for Self-help for Stoners in paperback. 

I hope you enjoy them all. Happy Boxing Week!

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Hurray! I have an author profile on Goodreads!

Wow. This is cool. Goodreads is a great site for readers to find books they’ll enjoy. (And, I hope, my books are in the To Enjoy list.)

I was slow to get on board but now I love it.

Find books you’ve read, books you want to read, rate books and write reviews. I found it especially fun to zip through and rate some of the books in my library, just to revisit what my brain had already eaten.

Check out my site on Goodreads. (Yes, I had fun with the bio.)

Don’t we all draw on childhood trauma for our fiction?

Street signs, Middleton, Nova Scotia
Image via Wikipedia

Poeticule Bay, Maine is a familiar, summer place. It looks safe, but you don’t want to live here.

If you did, nasty secrets would open up, enfold and swallow you.

They’ll get you like they got me.

It’s not too late for you. Lock your car doors, roll up the windows. Don’t look back. Drive fast.

It’s a tribute to familial love that I am still alive. My parents must have been awfully tempted to drown me in a bathtub and start over with a new kid who wasn’t so…”saucy” was Mom’s word for it. As in, “I don’t need any of your sauce!” My problem was that they lived in Middleton, Nova Scotia and I hated living there. I wasn’t too shy about saying that life would begin once I escaped, either. Bright lights and the big city beckoned me away from my small town and telling people about my escape plans didn’t endear me to anyone.

I was reminded what a colossal pain in the ass I was when I attended Bonnie Burnard’s reading of Suddenly at London’s Central Library last night. In a sidebar after the reading, the author said she saw her fiction as a defence against common prejudices about small town life. Truthfully? It sounded to me like she wrote an awfully boring book to assert that small towns aren’t boring. Of course, all small towns aren’t boring to everyone. Before I started writing books, I was the author of (much of) my teenage drama and trauma. I wasn’t interested in sports. I did and do make new friends about as easily as Samoa launches rockets to Mars. The world I could see on my television seemed to be where most of the good stuff was happening. The world I could see around me in small town, Nova Scotia was the heart of drudgery: work I despised lifting heavy things in a dark warehouse; a school in the ’80s with a ’50s set of ethics; mowing lawns and cleaning out the garage over and over. There were some elements that were great. It wasn’t all bad. But the way my brain works, I remember the bad with an eidetic memory. Worst, for me, was dealing with authority and having no alternative but to be told what to do. I was not good at being a powerless kid. If I’d joined the military, I’d be the guy who goes nuts one day and lobs grenades into the officers’ mess.

And yet, I return to the scene of the crimes again and again through works of imagination. The substitute for my hometown in Nova Scotia is a place called Poeticule Bay, Maine. In writing about home, I burn it down, repeatedly. I curse it and blame it and cast aspersions. But through fiction’s lens, I can see now that my hometown was not a boring place. Since plot is all about conflict, a small town is often a good setting for dark stories. Some quirky residents with twangy accents should have gone to jail. The guy who owned the gas station wouldn’t serve blacks. The kid next to me in math class was killed in a stupid hunting accident. The Atlantic drowned a schoolmate and almost killed two more when the Bay of Fundy’s tide filled a seaside cave. My father’s store was burgled several times and we did call the police, but not before we headed down to the store on our own armed with shotguns, half hoping we’d catch the thieves first. A childhood playmate grew up to be, at 16, the school’s tough (and nearly the only) black kid. He didn’t make it to 18. He was crushed under a car he’d been racing. At the funeral, the kids who’d been with him — I wouldn’t call them friends — all signed the label of an empty bottle of vodka. Drunk, they handed it to his brokenhearted mother at the graveside. There was no shortage of awful, real-life stories.

Conflicts and intrigue among a small population who stick their noses into each other’s business: That’s what a small town is. Mostly familiar strangers and a few friends vivisect each other’s lives in claustrophobic proximity…or in my case, captivity. I soaked up all the stories. I don’t report them. I don’t retell history in my fiction. But I do draw on the sensibility (and lack of good sense) I saw around me to craft new disturbing, twisty and twisted stories.

It’s no surprise the theme that often emerges from my fiction is Escape. When I wrote my short story, The Dangerous Kind (available now on Smashwords, soon to be on the Kindle for only 99 cents, by the way), I was writing about home. Geographically, Poeticule Bay, Maine resembles the village where our cottage was: Greenfield, Nova Scotia. Some characters are composites from my hometown of Middleton, Nova Scotia. I felt trapped and impatient and I yearned for adventure in far away places. So does my protagonist. Joe is young, but we think much alike. When I was Joe’s age, I wanted to go somewhere no one knew who I was so I could begin again, scrubbed of the known and fresh for new possibilities.

Am I fair to Middleton? No, but that’s not my job. I’m not a journalist anymore. I’m a fiction writer. Living in Middleton was difficult for me, though, speaking fairly now, I might have felt the same wanderlust no matter where I was. And I wasn’t alone. Very few of my high school classmates stayed around Middleton. They spread out and went where the jobs were. Middleton is largely a retirement community now and the town that I skewer again and again in fiction only exists in my memory and imagination.

I’m keeping the old town alive, if only to kill it repeatedly. Is my fiction my psychotherapy? No, I don’t believe that. That’s too easy a conclusion to jump to and it demeans the work. We all have childhood trauma and everyone struggles against the biting bonds of our childhood era. Unfair things are done to children. Assaults we would never tolerate as adults are commonplace (though, I hope, at least a little less so now.) We’re all in a big hurry to grow up. Middleton became my Poeticule Bay because that’s where the drama is. I know the terrain. I’ve scouted it and know the actors on my stage. Anybody who didn’t fit where they were and survives high school, wherever they grew up, has enough rich stories on which to draw for the rest of their lives.

This isn’t an apology. It’s an explanation. For good and bad, my childhood experiences in a small town in Nova Scotia formed me and continue to inspire more stories from Poeticule Bay.