
Free on Amazon. Today only!

All That Chazz: Your Brain Tickle Destination
Apocalyptic Epics and Killer Crime Thrillers by Robert Chazz Chute
Years ago, someone on a Facebook webinar dismissed me as “just one of those zombie writers.”
First, neener-neener-poo-poo. I’m not “just” anything, balloon head. Read a little more and a little deeper and toss your assumptions in the trash. This Plague of Days is the slow burn that strikes at the heart of our highest hopes and our greatest failings when confronting a pandemic. AFTER Life is packed with fast-paced action and still digs deep into the choices we make and what it means to be human. There’s more going on here than meets the eye, dumbass.
Second, z-lit can serve as a rich metaphor for Nature, uncaring and brutal as it can be. Infection and contagion are unrelenting existential threats, and they are always with us. Life and its mortal limits are the constant subtexts of the human condition. World pandemics elevate those threats so they are no longer subtextual. Unless you’re reading this post from New Zealand, you’re soaking in a zombie apocalypse scenario right now. (See above.)
Third, zombie novels are not about zombies. It’s the human response to existential threats that makes the drama. How we respond to stress, whether we help or hurt, die with grace or go out in pain and regret…these are all human stories in which thoughtlessness kills, cowards are exposed, and heroes rise.
Will you bravely and carefully venture out into the Badlands to beyond your walls in search of food? Will you shelter in place and act in the spirit of kindness to comfort others to ease our collective burdens? Or are you going to be a selfish superspreader who goes out without a mask to spread disease and add to the suffering, death, and mayhem?
Hint: In fiction and in real life, things often do not end well for the cowards and malicious disease spreaders. Choose wisely and wear a damn mask. After all, if you’re an unthinking, unfeeling creature who lacks empathy and forethought, you’re already a zombie.
Seen on the internet: Did you have a happy childhood or are you funny?
Last night I went on a long walk. Usually, I have my earbuds in. Craving stimulation, I listen to podcasts (mostly about how the world is falling down and the landing won’t be a soft one). If I want to walk faster, I’ll pump music into my head and swing my arms faster. On this stroll, I was in a mood to ruminate. I walked in silence for a change, listening for what my brain offered up. Unless I’m at my keyboard engaging in the writing life, this is generally a bad move.
Sunny people see a sunset and enjoy the beauty. I move on from those feelings quickly. The looming sunset in a silent sky served as an existential reminder of Nature’s cold indifference. I can be funny, but my nature is not sunny. Irony and dark humor? A lot of that comes from a dark place.
Passing through a stand of trees, the green aroma pulled me back to memories of Nova Scotia, where I grew up. I ran through a lot of woods in those days. If I did that now, all I’d think about would be ticks and Lyme Disease. (I’m fun at parties, but that’s hard to imagine, isn’t it?)
We like to think we are proactive, a cause in the world. Sometimes, history condemns us to little more than an effect. My father refers to Nova Scotia as “God’s Country.” I would say it is a nice place to visit. It’s not all bad, not at all. I miss the sound of foghorns lowing to each other when a thick white blanket falls over Halifax Harbour. I miss Atomic Subs on Jubilee Road (sadly and inexplicably, long gone). In my hometown, the #4 Special at the House of Cheng was special. There are kind people there, but my mind doesn’t allow me to remember much of that.
Years ago, I met a fellow at a party who was born in the same hospital as me. Though he never actually lived there, he rhapsodized about how great our little town was. He became irritated when my lived experience didn’t match his fantasy. He seemed eager to overlook the casual racism, for instance. I could never watch an episode of Trailer Park Boys. I knew too many guys like that in real life to find it funny. I recognize that people are just as different and also the same everywhere. Human failings and mental deficits are certainly not unique to that place. However, painful memories specific to me lie there in the shadows. I am haunted.
When I wrote The Night Man, the town of Lake Orion, Michigan is just as much a character as it is a setting. I grew up in a small town. I know what it’s like when everyone remembers you from when you were in diapers. I remember how gossip is an engine that never stops revving. Growing up where I did informed Ernest “Easy” Jack’s experience of coming home to Orion. I have plenty of ghost voices in my head. They’re useful for what I do for a living.
The writing life is a sedentary one. I aim for 10,000 steps a day. Last night was a 14,000 step walk, plenty of time to dwell on regrets, unforced errors, my own shittiness, and the shots not taken.
Unfortunately, I have an eidetic memory for every negative thing I’ve witnessed. In perfect, excruciating detail, I remember the look on my mother’s face the last time I saw her. On her deathbed, she was furious, angry that she was dying, at how unfair it was. Loathing any display of weakness, she seemed most rageful that she was not immortal.
I remember every unkind word spoken to me like a fresh wound. I have always had a problem with authority and giving up control. In childhood, the locus of control is always elsewhere. Perhaps that’s why that time can feel so terrible. Everything feels important, even when it isn’t. Every failing is the end of the world. Everything is taken personally. (Still is.)
Indoctrinated into ideas I now find abhorrent, young adulthood was difficult, too. I couldn’t get hold of all the variables that might allow me enough independence to be left the hell alone. I was told I was too young to have a valid opinion, that my thoughts and feelings did not matter. I think some people might be getting better at valuing children so they learn to better value themselves and others. Sadly, there’s still a better than average chance you were told the same things I was. Maybe you got over it. I hold grudges.
I’m still resentful of the interview for the publishing job where I was told that, if hired, I couldn’t possibly have a valid opinion for the next seven years. Shit, why not just go train to be a brain surgeon? I’d get to a position where I counted as a human being a lot faster that way. Or how about those job interviews for newspapers where the interviewers tried to bully me? That didn’t go well for them and I learned that I was truculent. (That’s also how I learned the word truculent.)
In silence, my busy brain breaks open the floodgates: the crazy Spanish lady I should have fired, the landlord who cheated me, the boss who scooped up my commission bonus, the thousand little affronts, the threats of assault, the bickering, the anger that’s always simmering…the constant grating sense that for every little win I might eke out, I’m still behind and losing ground. The near-certainty that I WILL NEVER BE ENOUGH.
Thinking about it last night, I will never return to Nova Scotia. Though I enjoy being in faraway places, I hate the process of traveling. The last time I flew, my left eardrum burst. With a pandemic burning across the world, staying in my blanket fort is best. I still have family Down East, but it’s a long way to go to be told I’ve gained weight and my hair has turned white (as if I didn’t know).
I don’t feel a desperate need to be underestimated and condescended to in person. I outsource my self-esteem and moods to strangers on the internet (AKA book reviewers). Besides, there are lovely tourist destinations calling. Why go for awkward personal interactions where criticism is mistaken for love? Some families write off cruelty as “teasing” or “banter” where they are rude to relatives in ways that would rightly earn them a bloody nose from a stranger. Exposure to conflict does not breed warm feelings. It often breeds anxiety and hypervigilance.
Conflict used to be a steady diet for me. My interactions with the public are rare now. Through careful choices, astonishing luck, hard work, and seclusion, I’ve edited out most potential for conflict. It’s a peaceful, contained, and controlled life wherein I often manage substitute humor for anger. I write in a literal blanket fort, for God’s sake! However, since I worked in retail from the age of 13, I’ve got plenty of drama to draw on to spin my stories of murder and mayhem.
I remember very well the urge to commit homicide, for instance. That coworker deserved it. That feeling is still handy, anytime I reach out to fire up those neurons. Humiliation, rage, and fear are all on call, ready to flow into the keyboard. All our experiences can be rewoven to create new patterns, new characters. To weave plots, to tell engaging and relatable stories, pain is useful.
Despite time and growth, I remain hypervigilant and anxious. I still feel that I will never be enough and that I am losing ground. If you are, like me, a writer who can’t let go of every evil thing, use that shit.
If you’re a reader, enjoy it.
People are starving for food and equality across the United States. Jennifer Charles worked in a food bank and puts up posters to call people to demonstrate against her government’s ineptitude and callousness. Her defiance makes her a target.
Listen to this story now, read by the author.
The Face of Victory is a story about how revolutions begin. You’ll find it in my collection, All Empires Fall, Signals from the Apocalypse.
Click the play button to hear the first chapter of Citizen Second Class
America has fallen to fascism. The rich have retreated behind the walls of the fortress they call New Atlanta. They won’t give up their power easily.
Oppression and starvation gave birth to the Resistance, but every rebellion needs a champion. Desperate to save her grandmother from starvation, Kismet Beatriz must make the journey to infiltrate the stronghold of the Select Few.
From the author of This Plague of Days comes a near-future thriller built for fans of Nineteen Eighty-four and The Handmaid’s Tale.
The main character in The Night Man is not your typical hero. Easy Jack returns home to Orion, Michigan, wounded and struggling to recover. A former Army Ranger, he has a scorching case of PTSD. His vision is impaired in bright light and his left knee always hurts.
His dad gets mixed up in some shady criminal activities, but Easy’s got nowhere else to go. His history in Orion leaves him cold as a romance with his high school girlfriend heats up. All he wants to do is forget the past and train dogs for K9 units. He’s got Sophie, a loyal German Shepherd, by his side. Good thing, because some very nasty people keep trying to kill Easy. And what’s with the devious billionaire showing up on his doorstep?
The mystery unfolds with many revelations and twists. If you haven’t checked out The Night Man yet, please do. Here’s the universal link to take you to your country’s Amazon store. It’s available in ebook and paperback.
About the Cover
Several of my covers have evolved over time. Sometimes I experiment. I love this powerful cover image, but I did worry that some may interpret the novel’s presentation as horror instead of a suspenseful action thriller. When my editor, the ever-helpful Gari Strawn (of strawnediting.com) wondered out loud about the same issue, I finally got my butt in gear to do something about it. I added the subtitle “A Killer Crime Thriller”. I tweaked the keywords and the book description, too.
Of all my work, I suspect The Night Man might be among the most underrated, not least because, amid all the soulful mayhem, it’s damn funny.
Have a happy Wednesday, merry reading and enjoy!
This really made my day. Andrew lives 75 minutes away. He’d read AFTER Life Inferno and wanted to dig into the rest of the trilogy, Purgatory and Paradise. He jumped in his car and made the journey to our world headquarters in Other London. Now he’s got them all!
We had a good long chat, too. Of course, we maintained our distance. (This shot was taken through the glass of the door.) I so appreciated that he made the journey to buy books, I mean, 75 minutes to me, 75 minutes to get home? That’s a reader, man!
It’s funny how connections get made. I attended a performance by director Kevin Smith years ago. I came home and wrote a blog post about how inspiring it was. Andrew was in the audience that night and picked up what I was putting down.
Enjoy AFTER Life, Andrew! So glad you made the drive. You’re in for a happy ride.
Andrew Butters is an author, too.
He writes a cool blog called Potato Chip Math.
Here’s a link to his books.