TikTok has asked the Supreme Court to block Biden’s law that would drive the app from the American market. The deal was that if the app’s parent company, ByteDance, doesn’t sell it before Jan. 19, TikTok is gone. (The actual deletion could be delayed until April.)
At least seven million Americans depend on TikTok for income. Will Trump save it? There’s a rich lobbyist working on him, but who knows? The American government cites national security concerns to justify the abolition. In Canada, no government phone is allowed to run the app, but Canadian citizens can still use it.
If the app is deleted from the app store in the United States, its value will certainly plummet for me. Most of my readers are from the United States. If I can’t use TikTok to reach them, I won’t be looking at it much. BookTok has been a great marketing phenomenon for book publishing (at least for some books). Bookstores across the land have Booktok displays that move books. Several times, I’ve become aware of books I would have missed without TikTok influencers informing me of their existence.
The US government refuses to explain the deeper details of why TikTok is a security threat.What bothers me is that all social media platforms collect information from their users.While the CEO of TikTok was advocating for the app in a hearing with a racist senator, Meta was gleefully lobbying for its demise.That’s shifty. If your nonsense alarm is going off, you’re not wrong.
The threat to the platform has led many creators to lose interest in using TikTok. Others are running with it as long as they can, at least to point their followers to their new social media of choice.
What might replace TikTok?
Threads’ user interface is still hard to chew and swallow. Bluesky is increasing in popularity as X spirals. Many users are turning their energies to YouTube. That’s where most creators will gofor the platform’s monetization advantages.
More people are talking about Lemon8, but I’m not convinced yet. There is another app lurking on the horizon, but it won’t even be released until February 2025. I will reserve judgment until we can learn more. None of these platforms has TikTok’s powerful algorithm. I’m hoping TikTok survives somehow, but there is no reason or justice in the world, so…hmph.At least for now, it seems like we’re stuck, doesn’t it?
If you’ve ever wondered about the writing and publishing process, I have answers. Vengeance Is Hers took longer than usual due to variables beyond my control. Creating Bigger Than Jesus took three months, from conception to publication. The trilogy of This Plague of Days took a little more than three years. At my fastest pace, I published four books in one year.The writing process for my next thriller was a mess, but in the end, it’s going to make a big happy splash.
Round One is back from the editor and the prime beta reader!
Now things start to speed up for Vengeance Is Hers! From the top, this is how we do it:
My official start for this novel was August 15, 2022.
I wrote the first draft, backed up halfway through, switched from first-person narration to third.
I endured two hip replacements in 2023, got distracted by a lot of pain and rehab, and relearned how to walk.
Wrote 120,000 words, and rethought the story arc. Clenched teeth in frustration.
Keeping most of the story in one small town in Maine, I had to cut 50,000 words. This was originally going to be about making a movement of female vigilantes. Some of what I wrote in the original draft may be used for a sequel.To make this a better book, I had to sacrifice a lot of words and time. I went back to rework the concept.
Second draft. A lot of back and forth here as I went deeper. The word count climbed back up to 105,000 words.
Hip pain receded almost entirely. Back to my old self, I have more energy to deal with this project.
Found words with the “-ion” suffix for every chapter title.
Third draft: filled in plot holes and found more jokes and clever turns of phrase.
Listened to most of it. Reread all of it. Cut the long chapters in half so most chapters are no more than 1,200 words. (For a fast pace, I like short, fast chapters so readers feel like they’re burning through the book).
Added tweaks, usually fleshing out something vague, adding a joke, or turning up the dialogue to eleven.
Woke up in the night, continually plagued by little tweaks to make the story better.
Word count climbed back up to 113,349.
When I can’t look at it anymore, it’s ready for more eyes on the prize. Prime beta reader begins.
The manuscript is shared to two more beta readers for comments.
Google Drive alters corrections I’ve already made! Frustration ensues.
Editrix Extraordinaire Gari Strawn begins her first round of editing. She downloads it off Google Drive so we won’t get new errors introduced to the manuscript.
I review all editing suggestions from beta readers and my editor, making all necessary changes. That’s the step I’m at today.
Gari will dig through the manuscript for Vengeance Is Hers for two more rounds.
When she’s done, and I finish final revisions, we’ll lock it in.
Then it’s back to the designers about the details of the paperback and hardcover.
My first suggestion is so dead easy, you’ll wonder why you haven’t done it already! In the back matter of your novel, include a list of questions to stimulate discussion. For whom? For book clubs, of course!
In Vengeance Is Hers, I added a list of questions to get book clubbers talking and possibly arguing. The hardest part of getting a book club on track is keeping everyone on task, reading the books, and not devolving into a wine club. (There is nothing wrong with wine clubs, but I’m talking about getting more readers on board.) Make it easy for book club organizers to choose your novel for their next read. When everything else is in order, this is an easy add-on.
The second enhancement is harder to do and not always scalable, but it would entice more readers.
If you’ve spent any time on TikTok’s Booktok, you’ve seen videos of books with spray-painted edges. Some of them are really beautiful. I love gilded edges. Some edges continue or are consistent with the jacket design.
If you have an artistic streak with a paintbrush, you could elevate your game by decorating the edges and shipping special editions directly. There are other options, like using stickers. Most authors will probably try the DIY approach.
A quick Google search reveals a bunch of companies that will pretty up your edges for you. The first time I heard of this, the author added to the print specs so the printer could add edge art or messages. For direct shipping special editions, selling on Etsy, or to enhance your in-person sales, I see the value in artful edges.
The main character in The Night Man is not your typical hero. Easy Jack returns home to Orion, Michigan, wounded and struggling to recover. A former Army Ranger, he has a scorching case of PTSD. His vision is impaired in bright light and his left knee always hurts.
His dad gets mixed up in some shady criminal activities, but Easy’s got nowhere else to go. His history in Orion leaves him cold as a romance with his high school girlfriend heats up. All he wants to do is forget the past and train dogs for K9 units. He’s got Sophie, a loyal German Shepherd, by his side. Good thing, because some very nasty people keep trying to kill Easy. And what’s with the devious billionaire showing up on his doorstep? The mystery unfolds with many revelations and twists. If you haven’t checked out The Night Man yet, please do. Here’s the universal link to take you to your country’s Amazon store. It’s available in ebook and paperback.
About the Cover
Several of my covers have evolved over time. Sometimes I experiment. I love this powerful cover image, but I did worry that some may interpret the novel’s presentation as horror instead of a suspenseful action thriller. When my editor, the ever-helpful Gari Strawn (of strawnediting.com) wondered out loud about the same issue, I finally got my butt in gear to do something about it. I added the subtitle “A Killer Crime Thriller”. I tweaked the keywords and the book description, too.
Of all my work, I suspect The Night Man might be among the most underrated, not least because, amid all the soulful mayhem, it’s damn funny.
I’ve been using Scrivener to write and format my books for years. I remember, before the dawn of time, having to format my first book manually. The challenge of constructing a working Table of Contents was a real chore when I used chisel and stone. Then Scrivener came along and life got easier. With the release of Scrivener 3.0, things have become harder again, at least for me.
Let’s be clear: I love Scrivener as a word processor
Microsoft Word was developed for composing business documents, not killer thrillers. With Scrivener, writing is so much easier. I can bop all around a manuscript and find what I need to make edits in a flash. As a formatting device, Scrivener has a learning curve that can be pretty steep at first. When I first dove in, I remember spending many hours trying to get a print book design just right. As I published more books I cut my formatting time down. The summer I published a weekly serial to Amazon, I got so good at it that I couldn’t remember what my initial mental blocks had been. Easy-peasy, lemon squeezy. Life was glorious.
I’m a tad less than enthusiastic now.
How things went off the rails
Last week, I finished revisions to The Night Man. The manuscript was finally ready for the editor. I hit compile to get a Word doc to send to Google Docs. Simple, right? The evening was young. Hit share and hit the gym. That was the plan. Then the tooth grinding began.
It seemed that no matter what I did when I hit compile, I got wonky formatting. I tried many variables. Either the resulting document was all underlined, or all in italic or I lost all italics. I could create a pdf file but I couldn’t use that for my editor. Frustration mounted. I’d used Scrivener for years. How different could the new version be? Quite, as it turned out.
I broke down and went back to the manual. My search words were of no help. I watched YouTube instructional videos and hunted through forums. Since it’s a new update, much of what is out there on YouTube is out of date. In the forums, I found threads where some power users scolded those of us with less technical expertise.*
Finally, I found a note that hit on the problem.
There’s apparently a bug between Scrivener and .docx files. This doesn’t appear to be an especially new bug but it persists. Switching to .rtf fixed the problem. I did not get to the gym. It was about midnight when I finished. All this to compile one Word document?
Looking around, I’m not the only one who has struggled with the compile feature. I get it, though. Scrivener can do so many great things that it has to be complex to carry its heavy load. When one piece of software can create ebooks, print books, film scripts and proof copies etc, it’s bound to be complex. It’s also valuable. I still like Scrivener as writing software.
People tell me that, mostly, Scrivener is still great. However, for formatting and book design, I’m not up to climbing that learning curve again. I use Vellum for book design now. It’s awesome and easy. Some of Vellum’s interfaces are reminiscent of earlier versions of Scrivener.
Vellum is not inexpensive. An unlimited license will set you back $250. If you’ve got plenty of books to create for yourself or others, the investment makes sense.
Here’s what I’d humbly suggest:
1. For software developers: I don’t know what I’m talking about. I’m just a novelist. You’re way smarter than me in the ways of the tech force. Please recognize that and make the user experience more intuitive. More intuitive to mere mortals, I mean, not your fellow tech geniuses and power users.
2. For software developers: Please bring in a focus group of idiots like me before you revamp your software so much. Digging through the instructions, I felt like I had to hire Sherpas to climb that learning curve.
3. For software developers: Fix the bug if it’s on your end. My understanding is that this .docx bug is not actually Scrivener’s problem. The fault, if it must be assigned, lies elsewhere. However, it is a problem for Scrivener users.
4. For software developers: Try to make sure users are alerted if there is a bug even if it’s not on your end. I figured out the problem but it took a lot of digging while my blood pressure went up and my spirits went down.
5. If you’re a writer: Buy Scrivener. I’m still a fan. It is wonderful and wondrous as a word processor. If you only have one or two books in you, take the time to learn how to use all the miracles it has to offer. I took the time to learn the earlier versions and I’m very grateful Scrivener came along to rescue us from building TOCs manually. Copy special to create a Table of Contents with a click? That was a huge time saver.
6. If you write a lot of books and the expense is in your budget, write in Scrivener but format your ebooks and paperbacks using Vellum. It’s as user-friendly as can be.
*The title for this article (Scrivener: Just a Word Processor Now?) was inspired by an unknown user in a forum. She was trying to figure out Scrivener. That question was her lament. The replies she got were insistent that no, she was just being silly and obtuse. Well, no, she didn’t understand the new version of the software. Neither do I so I sympathize.
(The standard license for Scrivener is $45 though deals do seem to come along frequently. For all it can do, that price is very reasonable.)
~ Hi! I’m Robert Chazz Chute. Thanks for reading this far down! You’re a keener, aren’t you? I like that! Maybe you’re willing to go a little farther and meet me in Zihuatanejo, Red?
About me: I escaped the 9 – 5 for the 24/7/365. I construct apocalyptic epics and suspenseful crime fiction. My next killer thriller, The Night Man, will be released soon. Please subscribe to be alerted when Easy’s adventure in darkness becomes available. Thanks!
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There’s more to the writing and publishing process than swilling coffee and banging your head against a keyboard. Those caffeine injections behind the eyeball do help immensely, though. (Ask your doctor.)
Here’s how I do the deed, from words to action.
My Flowchart of Tears and Triumph is as follows:
Compose in Scrivener > revisions > Grammarly > Scrivener > Google Docs for Editor & Betas > Word Doc > Vellum > publish > exalt briefly > repeat until they nail they casket shut, squelching my screams of protest that I am immortal.
The Ex Parte Press breakdown :
Scrivener is a writing program I’ve used for years. The writing interface is easy and intuitive. I love how I can jump around in a document so I can find what I need quickly. I can’t make such easy changes in a Word document. Microsoft Word was designed for business writing, not quickly finding details in full-length novels. Moving chapters around is also easy, should you feel the need. As easy as writing in Scrivener is, publishing with this program takes patience as you climb the learning curve. Since it can publish anything from manuscripts to movie scripts, the details are more complicated than the software I now use to format and publish. (See Vellum, Step 7.)
How many times do I revise a manuscript? That depends on the project. My first draft is about getting the story out of my head and on the page. Character work and action comes pretty easily to me on the first go. Tweaking the plot details and finding more jokes tends to come with the second draft. I want the dialogue to sparkle so I tinker with that quite a bit. When revising feels like an exercise in procrastination, it’s time to move on to the next stage.
Grammarly is an online spellchecker. I’ve tried ProWritingAid and found that it gave me too many false positives. Grammarly doesn’t give me too much or too little to consider. No matter how many revisions I’ve done, I read the book again in Grammarly. No online spellcheck is perfect. If my typo is “he packed it” instead of “he picked it,” Grammarly won’t catch that mistake. (I also have Autocrit but that’s not part of my regular publishing process yet. I’m still evaluating it so that’s a post for another day.)
Once a draft is corrected in Grammarly, I paste it back to Scrivener a chapter at a time. That’s one way of getting a sense of my progress so I can try to warn my editor how late I’m going to be with the manuscript. I write every day and it’s serious business. However, my editor understands that I need to have the book well developed before I show it to anyone. I’m self-conscious enough as it is and, as she says, “Some books need to simmer.”
I post the whole thing to Google Docs for my editor (Gari at strawnediting.com) and my beta reader. Sometimes I have more than one beta reader, sometimes not. I’ve been very lucky to find editorial support from sharp people who dig what I do. Editorial support from people who understand your genre and were fans first are aces.
Once the editorial suggestions and corrections are made, I weep profoundly at all that I missed. Then I download the novel as a Word doc and take a look at it one more time, basically scanning for red squiggles and spot checking. Something will be missed. My first job in Toronto was in production at Harlequin in the ’80s. There were eight levels of editorial staff then. Very few publishing houses can afford that now and fewer still pay for that much input anymore. Even with eight editorial monkeys massaging the manuscript, there could be as many as six to eight little corrections to be made. In the end, I want as clean a presentation as can be. My people do not disappoint.
Uploading to Vellum is quick and easy and some of the interface is similar to Scrivener. Formatting and book design with Vellum is a joy. I’m fussy and I’ve done some pretty tricky things with certain design elements that would be very challenging without this software. When I’m done constructing the formatting for the book I have files ready to upload to sales platforms.
I publish exclusively to Amazon at the moment but that will change in 2019 as I expand my options. (The why of all that is a ranty blog post for another time.)
When I hit publish on my first book in 2010, I took two weeks off to recover. I poured libations to the publishing gods and rested on my laurels. As I’ve progressed with publishing plots, plans, policies and practices I take less time to rest after all those p-words. There’s too much to do to enjoy the feeling of having published more than an hour or two. Sometimes it’s just a few minutes of elation. That would sound sad, pathetic and Sisyphean except I’m always excited about writing the next book. I jump on the next project until the tale is polished to excellence and I’m sick of it. As long as I’m satisfied readers will love the book, live in the world I create for them and laugh in the right spots, I’m happy.
Being a novelist now is lot like being a pulp writer in the ’40s and ’50s. I have to write the next book so maybe someone will pay attention to this one, that last one or, preferably, all my work. When people ask me how it’s going I say, “It’s like always having homework, but I love it and I get to work in a coffee shop without wearing an apron. This is the writing life.”
Hot Extras:
Writing and publishing is not a race but it is a marathon. When searching for editorial support, find people who notice your clever turns of phrase and aching awesomeness. Editing is more than scolding what you did wrong. When you see what your audience likes, you get clues on how to repeat those awesome feats of prose in the future.
By the time I’m deep into making editorial decisions with other people, I’m becoming sick of the book. A cheery LOL in the margin is energizing and the odd “Attaboy!” gives me the strength to persevere and run to the finish line.
Some authors claim they want their manuscript torn apart savagely. I suspect those folks are either lying, posing, preaching, masochistic or maybe they’re just really bad writers who need a spanking. It’s true that you could learn a lot from a thoughtful savaging from a good editor but eventually, you’ll tire and find an editor who treats you like a human being with feelings. The editorial process is best when it’s a collaborative effort of the likeminded. I do learn from my editor and I know she’s trying to make my books (even!) better. She never makes me feel worse about the process than I do already.
I mention this because I have met editors who think they’re in the mock and scold business. And yes, too many of them worked for traditional publishing houses and held the authors in their stable in contempt.
Expectations:
Gari keeps a style guide written just for me. My idiosyncrasies include:
No Oxford commas unless required for clarity. (Yes, I’m one of those monsters who fails to worship your blessed Oxford comma. Gather your torches and pitchforks and chase me around the village.)
I’m not a fan of commas before but. Commas are speed bumps. As long as it’s consistent and clear, cool. I do not want to slow the reader down too much on their merry way to turning the page toward another visceral word punch.
One editor (not Gari) once insisted that I describe my characters in exhaustive detail. I refuse. Readers will meet us at least halfway on this. I once taught a writing class in which I read one of my short stories. That done, I polled the class as to what the main character looked like. Beyond being male and almost thirty, there was no description in the text. Despite this, everyone had a clear picture in mind as to what the character looked like. The pictures in their minds varied immensely but that did not matter to them. The guy had a live skunk in the back seat of his car and a dead ex-friend in the trunk! No one was shortchanged.
I’m Canadian. I use American spelling conventions because most of my readers live in the United States. UK readers don’t seem to mind but some American readers take offense if the word color has a u in it. (Probably a patriotism thing?)
Our style guide is generally The Chicago Manual of Style until I come across something that feels like it should be an exception to a rule. Things change. Internet used to be capitalized and I thought that was stupid. The CMoS now accepts internet. I assume they noted my objections. You’re welcome.
~ Hi! I’m Robert Chazz Chute. Thanks for reading this far down! You’re a keener, aren’t you? I like that! Maybe you’re willing to go a little farther and meet me in Zihuatanejo, Red?
About me: I escaped the 9 – 5 for the 24/7/365. I construct apocalyptic epics and suspenseful crime fiction. My next killer thriller, The Night Man, will be released soon. Please subscribe to be alerted when Easy’s adventure in darkness is available. Thanks!
More about The Night Man: Wounded in Afghanistan, Earnest “Easy” Jack returns home to rural Michigan to train guard dogs in the family business. His high school sweetheart is on the run from a very bad husband. His father is kidnapped by a dirty cop. Easy thought his war was over. Trapped in the middle of America, the Night Man is still in a war zone.
BONUS!
Are you a fan of my work? If you dig my sling, please leave a review. Even better, join my Inner Circle on Facebook. My Facebook group is Fans of Robert Chazz Chute. I share more about the writing life and assorted fun and nonsense daily.
Membership has its privileges: Fans get free ebooks to review and, with your permission, you will be entered in a raffle to get your name on a character in a future novel. Join us here and exalt at length.
