Chazz is back! And so is the hit man! That can’t be a coincidence. Anybody seen these two guys in the same room at once?
Today we continue with the author reading of Higher Than Jesus. Meanwhile, the third book in the Hit Man Series is suddenly available. Don’t know what I’m talking about? It’s the funny/hardboiled adventure with my luckless Cuban anti-hero, Jesus Diaz. Come for the action and surprises. Stay for the jokes.
Good news! All three books are also now available in one ebook edition: The Divine Assassin’s Playbook, Omnibus Edition! Read all three crime novels — Bigger Than Jesus, Higher Than Jesus, and the latest, Hollywood Jesus — for one low price.
Check out all the books by Robert Chazz Chute at AllThatChazz.com. Talk to the Divine Assassin directly on Twitter @AssassinsPlayBk.
Hire our sponsor and amazing graphic design genius, Kit Foster, at KitFosterDesign.com.
You can read Hollywood Jesus as a standalone thriller beginning October 1, or read the series from the beginning, in the The Divine Assassin’s Playbook, Omnibus Edition.
FYI: The Omnibus will contains the first three books: Bigger Than Jesus, Higher Than Jesus and Hollywood Jesus and will launch at the same time.
The third book in the Hit Man Series, Hollywood Jesus is almost here.
The editorial pipeline is full and humming with hardboiled activity.
Hearing happy things from beta readers. (Much thanks to the Steel Falcon Beta Read Team!) Aiming for launch October 1 for Hollywood Jesus, Rise of the Divine Assassin. It’s fun, funny, violent, poignant and violently funny. (I’d planned on calling it Deader Than Jesus. Then I decided to hurry up with the rebrand of the series.) Here’s what the cover will look like.
Cover blurb supplied by Hit Man fan and horror multitalented author Armand Rosamilia.
The Little Book of Braingasms is a fun book of short prose poetry to assist trapped commuters in their endeavour not to kill fellow passengers. It doesn’t get enough love, so I changed the cover. Here’s what the new cover looks like:
I’m working on the last draft of the next instalment of the Hit Man Series, Deader Than Jesus. My luckless Cuban assassin has big plans for tonight. Here’s an excerpt from today’s revisions…
Tonight, ladies and gentlemen, the character of the clever hit man will be played by Jesus Diaz. The actor’s motivation will be supplied by his lost childhood and tortured fool’s soul.
Take a deep breath. Step closer to the mirror. Look into your eyes and try to find the man behind the scary luchadore mask. What happens tonight shouldn’t be narrated by Morgan Freeman. Tough guy voice over work for tonight’s adventure should be supplied by the cowboy in the Big Lebowksi, Sam Elliot. Or maybe Dennis Leary could put a funny, edgy spin on what’s about to unfold, like he does for those truck commercials.
Somebody really badass should play you. If John Leguizamo isn’t available, can Jason Statham play a short Cuban?
I think the book will be out in a month (or less.) Stay tuned, and be sure to read Bigger Than Jesus and Higher Than Jesus. You can jump in anywhere, but you’ll get the full flavor if you start at the beginning. Enjoy.
If you ever wondered about some behind-the-scenes stuff about writing a massive apocalyptic saga, check out my fun interview on Armand Rosamilia’s Arm Cast: Dead Sexy Horror Podcast.
We have a good talk. The interview begins at about 9 minutes. (It’s Episode 2 of the podcast as listed on iTunes.)
The ebooks of This Plague of Days are finally available on Amazon. However, there’s more here than meets the eye! You can click quick on the covers below, or go to this link at ThisPlagueOfDays.com and find out about the deals, markdowns, secret video and the free thriller you can get with the purchase of the Omnibus Edition.
Thanks so much for
for This Plague of Days!
Autism and zombies
As I’ve mentioned on Facebook, it seems whoever’s in charge has decided that it’s okay to spoil Game of Thrones immediately. I’m now hypersensitive to the problem of spoilers so, though I won’t get into great detail on the movie Transcendence, I’m going to tell you up front that I plan to spoil it. Perhaps enjoy this review more like a Slate Spoiler Special (a review of a movie you’ve already seen, not one you plan to see.)
So, straight to the problem with Transcendence:
It’s based on a paranoia that is never supported and the stakes are all wrong.
If the very foundation of the film wasn’t immensely flawed, it wouldn’t have been a bad show. I like Johnny Depp. He’s good in this in that he says his lines and doesn’t walk into furniture. (He hardly does any walking at all since mostly he’s on screen and percolating through the net. They sure didn’t give him much to work with in the script.
Sadly, Morgan Freeman plays the dumbest character he has ever played. Here’s the deal: Download a brilliant, dying scientist’s mind into a computer. The photocopy of his consciousness might not be entirely him, but there’s no evidence it isn’t all him.
We’re supposed to be worried it isn’t all Johnny and it might be PINN, the autonomous computer that MIGHT DESTROY THE HUMAN RACE! Except we barely meet PINN before the scientist gets on PINN’s hard drive and there is no sense of menace. PINN isn’t HAL in 2001: A Space Odyssey. It’s as innocuous as Microsoft Word’s paperclip character that popped up to ask, “It look like you’re typing a letter. Can I help?” PINN will open the pod bay door and won’t keep you out of the airlock, Dave, so relax.
Anyway, the ghost in the machine (i.e. Johnny’s character of Will Caster) embraces solar power and starts making the blind see, saving lives and doing good everywhere.
Morgan’s character’s answer to all this good news? A note that tells the dead guy’s wife to run away because…um…well…hm. Because paranoia! Because freedom! Because your dead husband is down in the basement curing cancer with nanotechnology that could save us all! What a jerk!
Making the people he cures of terrible diseases into a slave army (part-time) was supposed to alarm us. However, if the doctor said, “I’m curing your blindness for free but I get to run around in your body, as needed, maybe 10- 20% of the time,” I’d say, “Sure! Thanks! Better than being a debt slave for the rest of my life. That’s a fair exchange! Bring on the nano-tech!”
Skip to the death scene
Dying wife looks up at dying husband (again) and says, “It’s you.”
Meaning: You aren’t the monster we feared.
He answers, “Always was.”
Meaning: I was always Jesus. You’ve killed me again and learned nothing in over 2000 years.
She smiles!? No! She should not be smiling. She should be weeping and begging forgiveness, not only from her dead husband/computer program, but from the human race.
Ah. The human race. What did we win in the end?
Pain. Disease. Weakness. Congratulations, humans! You had a shot at long, healthy lives and hope for the future but you weren’t worthy of the gift. You “win”, ya big dopes! That’s what anti-intellectualism and paranoia and fear of new things gets you. I’d call it a life lesson, but your lives are so short and miserable, who cares? Sure, science guy healed the planet a bit in the end, but we still die hooked up to machines. Whee! We win!
Transcendence needed a lesson from Lawn Mower Man. You don’t make a guy a beneficent god and bring him down. You transform him into a mad, evil god and then you bring him down. Bring down monsters or we’re all doofuses.
And that non sequitur little tag of an ending, so full of nonsense and obfuscation?
I wonder if studio suit thought, Add in some hope for the husband and wife at the end, despite the fact that the anti-virus worked everywhere else. Sure. If we confuse the audience with a vague ending, maybe they’ll forgive us the rest.
We won’t forgive. The point of the movie is, we won’t. We aren’t worthy and we don’t cut anybody else any slack, either.
~ FYI: For a satisfying ending, try my funny crime novel about a Cuban hit man trying to escape the mob. It’s called Bigger Than Jesus. It’s pronounced, “HAY-SOOSE.” As I write this, it’s free on Amazon here.